As the title suggests, Amos Oz's My Michael is a piece that
concerns itself with the possessive and controlling attitude of the main
character, Hannah. Throughout the novel, Hannah appears as unhappy with
her situation. From her displeasure with her homeland of Jerusalem to her
irritation towards her husband Michael, Hannah’s qualms lead her eventually
towards her mental deterioration as well as the end of her marriage. Particularly, Hannah’s inability to cope with
her non-responsive and seemingly emotionless husband shows us that her need for
control and response from others eventually leads to her decline.
In a minor section of the novel where Michael
brings home a small white kitten for their child Yair, Oz has set the
precedence for Michael’s shortcomings.
Hannah notes that as the kitten attempted to catch a moth that was near
the ceiling of their home it continuously falls short of its goal. This scenario is reiterated when Hannah is
describing Michael’s sensibility and wanting emotions. Hannah says, “My husband is level and
self-restrained. Sometimes I remember a
little, grayish-white kitten we call Snowy.
The kitten’s faltering leaps to catch a moth on the ceiling” (157). With this seemingly disjointed connection, Oz
has alluded to Hannah’s disappointment with her husband as a person.
It is these feelings will eventually fester
into Hannah leaving Michael. When Hannah
describes her divorce from Michael, she says, “I shall not disillusion
you. I am not with you. We are two people, not one. You couldn’t go on being my thoughtful elder
son. Fare you well. Perhaps it is too late to tell you that
nothing depended on you” (251). She also
demands “Michael, stop smiling for once” when she is telling him all of this,
which agrees with her stance throughout the novel of loathing Michael’s
complacent smirk (251). Through this
statement, we the audience can gain a deeper understanding of what it was that
Hannah desired. It is apparent that
Hannah felt single in their marriage.
She mentions that Michael was more of an offspring to her than an equal
in matrimony and she considers telling him that he was the static force in
their relationship that would not let them progress as she had once
desired. Because Hannah was unable to
see the change in her husband towards a more open and dynamic individual, she
was unable to see their relationship moving any further.
This is a fair discussion, Ben, but I will take issue with a note in the third paragraph. You note the language Hannah uses two pages from the end and interpret that to mean she is leaving, thus divorcing, Michael. I do not think divorce is in the works. Nor do I think suicide is in the works, however much suicide might be indicated by this language for another time/place/character. The occasion for her words are Michael's departure to work with Yardena and I think they are a recognition that her marriage with Michael will never be a marriage of minds and souls. I offer two quick reasons: first is the use of metaphor and dream in these pages to describe what is going on in Hannah's mind; and second is chapter one, paragraphs one and two, in which Hannah describes her "current state." Had she considered or sued for divorce, surely it would have shown up in that opening.
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